Producers, Have You Ever Felt This Way?

✔ You Want To Be Able To Make Money and Do Something Worthwhile With Your Beats

✔ You Have Been Making Music For Years, But You Don’t Really Have Anything To Show For It

✔ You’re Curious About How Far Your Music Could Go If Somebody In The Music Industry Gave You A Shot

✔ You Want Your Family To Stop Viewing Your Talent As A Hobby

✔ You Are Bored Of Making Music That Nobody Will Actually Hear

✔ You Are Tired Of DM’ing A Bunch Of Rappers and Singers To Sell Beats To, With No Response

✔ You Are Sick Of Selling Beats For Less Than What Your Talent Is Worth

If This Sounds Like You… Then The All In One Sync Licensing Course Is What You Need To Guide You In Your Music Production Journey!

Original Price $1,000.00

Your Investment Today Only $297.00

This has nothing to do with hounding a bunch of Tik Tok recording artists and trying to make the next viral banger with them.

In today's music landscape, that might seem like your best bet to earn a profit from your musical talents as a music producer.. 

..But the path that I am going to present to you is actually much more lucrative and simpler for you to get your name out there as a music producer who has major credits to their name, and the craziest thing about it is that so many music producers are sleeping on this!

Best of all, you don’t even need ANY placements to get started. All you need is your talent, your focus, and laser-like vision to make things happen on this particular side of the music industry.

So hang tight, because I am going to explain to you how I ended up earning checks like this in my sleep through Sync Licensing…

Who Am I?

I’m Phillip Peterson,

I am a Music Composer for TV and Film with 15+ years of experience in Music Production.

I have my music playing on TNT, ESPN, NFL Network, MLB, truTV, YES, etc., and I have been landing multiple placements since 2022. Here are some of the TV networks my music has been placed on...

However, my success in Sync Licensing came at a tough and stressful time.

It all started in 2020 when the country was reeling from the effects of the Covid-19 pandemic. 

If you remember, lots of companies were shutting down and people were losing their jobs left and right. 

The devastation was an eye opener to me because I realized how vulnerable I was by only relying on my job for income because for all I knew, it could have been me next. 

On top of that, I wasn’t happy with where I was at in life because I knew I had musical talent, but I wasn’t doing anything with it. 

I was complacent, and I knew I couldn’t let my talent die and I had to share my years of experience with the world in some way. 

However, I was reluctant to turn to the mainstream music industry because I didn’t want my talent to be taken advantage of.

I didn’t want to be cheated out of money for my beats and end up never getting paid for a beat that a record label makes millions of dollars off of.

So what do I do?

I started researching different ways to make money online through music production and I discovered that I could get paid for making beats for TV shows.

It was crazy to me because even though we watch TV every day, we don’t realize that the background music in all of our favorite shows were created by someone who got paid to do it.

I had been making music ever since I was a teenager, and all of my friends thought that I made good beats, so I thought, “Why not send my music over and create an opportunity for myself?”

I took different courses on how to make beats for TV and grinded day after day to get my music quality up to par, and I eventually got the opportunity to submit my tracks to a music library.

Reality quickly set in when I was told,

“You have fine music, but it’s too repetitive for us.”

Those words caught me by surprise.

I had been studying how to format my music tirelessly and spent hours crafting several high quality tracks only to be denied.

I had been making beats for well over a decade at that point.

How was my music supposed to be formatted in order for me to break into this side of the music industry?

I continued to study how beats for TV were created, and eventually I found the answer to my problem…

I needed to stop thinking like a music producer, and more like a composer.

It’s funny…

Usually when we create beats for a recording artist, we tend to structure them in a repetitive way so that there is space for their vocals to shine as the main instrument of the song.

But as a composer, you are NOT creating music for an artist. You are creating music to be placed on television.

The instrumentation is the star of the show, and the track needs to move from one point to another until it concludes.

You have to keep your tracks interesting and not stagnant so that you can win over the music supervisors who are looking for a fresh new track that they can put on one of the biggest shows on television.

Not many music producers understand this, and they end up submitting music that never gets placed.

Even worse, sometimes there’s no one there to let them know what they did wrong.

Once I understood how my music needed to be created, I reworked the music that I sent over the first time around, and I was eventually offered an agreement with a music library after submitting my music. 

It didn’t stop there however, I kept making high quality music for about 9 months straight before I got my 1st placement with NFL Network and finally became a credited music producer. 

I was no longer making beats in my bedroom that would never see the light of day, I was finally sharing my music with the world.

I know you’re capable of this too, and that’s why I created The All In One Sync Licensing Course with the information I have gathered on Sync Licensing so you can learn what I’ve learned in a shorter amount of time.

With my method of creating music for TV, you can create a new stream of income that you can have full control over.

You’ll be on a path to creating financial freedom.

Providing for your family and loved ones with your talents.

Living a much more fulfilled life doing the things that you love to do.

But first you need to know:

Who This Is NOT For…

This is NOT for someone who has never produced music before, or is a beginner at music production.

This is NOT for Music Producers who are looking for a get rich quick scheme or quit their jobs overnight.

This is NOT for Music Producers who are not willing to learn the proper format to get their beats on TV.

And also, If you’re not ready for Music Companies begging to work with you, then this course is NOT for you.

What You Will Be Getting…

4 plus hours of content including:

Exclusive videos explaining how to get started in Sync Licensing and how to submit music to music libraries and music supervisors.

5 Tutorials for different music genres that will get placed on TV.

5 bonus beat breakdown videos of tracks that I created that have been placed on TV and are earning me royalties to this day.

Look, you already know about some of the networks that my music has been placed on.

Originally, I paid $1,000 to learn how to get my music on tv.

The information being given in this course was information that is now worth $3,000 annually.

But since I really want you to have it, you will only have to pay a one time fee of…

$297.00

That’s it! just $297.00 and you will have lifetime access to this course and any additional information that will be added to this course in the future.

Now that you know that you can earn a profit with your music through this side of the music industry…

You have two paths that you can go down…

PATH A:

Continue going down the road that you’re on…

Sending beats to recording artists that won’t pay you what you’re truly worth.

Having to hunt down rappers on Instagram to sell them bundles of your beats for only $25.

Getting a placement with a recording artist, only for the song to not come out for years, and possibly getting your music shelved altogether.

Continuing to let unused beats sit on your hard drive never to see the light of day.

And if that’s for you, there’s actually nothing wrong with that at all.

But you can also choose..

PATH B: 

Learn a successful format for creating tracks that are ready for TV and Film.

Earning credits with major networks who placed your music so that you can name your price when you do sell your beats to recording artists.

Creating tracks for TV and Film that will be used within months after being chosen by a music supervisor.

Earning royalties from those tracks for the rest of your life, and leaving something behind for your family to benefit from.

Don’t miss out on this opportunity because this fee won’t last forever. Join me and embrace the world of Sync Licensing so that you can make your music work for you. I hope you make the right choice for you.